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Margot Robbie Reclaims Alexander McQueen's Iconic Skull Print

Written by: Avery Winter — An enthusiast sharing my favorite finds

February 26, 2026

I sat in the kitchen and watched the steam rise from my mug. Nine days have passed since Tuesday, February 17, 2026, when Margot Robbie stepped out in a dress that looked like a memory. I noticed the fabric first. It was sheer. It had the weight of a shadow. The print featured skulls. Alexander McQueen designed the original pattern decades ago. I guess the return of the skull print feels like finding an old coin in the pocket of a coat you haven't worn since the winter of 2004. But the fabric didn't just sit there. It hung on her frame like a quiet conversation between the past and the present. I'm still weighing this up, but the choice of such a specific garment suggests a hunger for things we thought we had finished with.

Fashion moves in circles. Kate Moss wore a version of this look when the world felt different. Back then, people like Nicole Richie and the Olsen twins wrapped themselves in these silk rectangles. The skulls weren't scary. They were just shapes. Margot Robbie brought that shape back to Australia. The sheer material revealed the skin beneath it in a way that made the air in the room feel thin. I feel like she wasn't just wearing clothes. She was wearing a specific slice of time. W Magazine provided details on this topic. They noted the connection to the mid-noughties. And the dress didn't scream. It whispered.

The Outsider's View

A man stands at a bus stop and watches the rain. He does not know about Alexander McQueen. He sees a woman in a dress with bones on it and thinks about his own mortality. To him, the dress is a piece of gauze. It is a barrier against the wind. He might wonder why someone would wear something so transparent on a Tuesday. He doesn't see the ghost of 2004. He only sees the reflection of the streetlights in a puddle. But the dress exists for him too. It occupies a space in his vision. It is a flash of white against the grey concrete. I think he finds the contrast soothing. I noticed that he didn't look away. Maybe he recognized the pattern from a dream he had a long time ago.

The skull print had a grip on everyone for three years. Then it vanished. It went into boxes. It went into the back of closets. And then, on February 17, 2026, it came back. The sheer layers of the McQueen piece caught the light of the cameras. The flashes made the skulls jump. I noticed the way the hem hit the floor. It didn't make a sound. But the image moved across the internet like a cat through a dark hallway. I guess we are all just waiting for our favorite year to come back around. The dress made the sidewalk look like a stage. People stopped walking. They looked at the silk. They looked at the skulls. They looked at the woman. It was just a dress, but it felt like a clock ticking in an empty house.

I think the skull belongs to the history of London. Seán McGirr took the reins at the fashion house Alexander McQueen in late 2023. He brings a messier energy to the seams. In light of these findings, Margot Robbie's choice connects the dots between the gritty streets of the East End and the sunshine of Los Angeles. Skulls signify grit. And the sheer fabric allows the light to pass through the body. It is my understanding that the pattern acts as a shield. The silk does not hide the wearer. It announces her presence with the weight of a graveyard.

The calendar shows that Paris Fashion Week Fall/Winter 2026 begins in four days on March 2. Designers will likely double down on the aesthetic of the early millennium. But the trend relies on the dirt under the fingernails. I noticed that the 2000s are no longer a joke. They are a blueprint. As far as I am concerned, the resurgence of the skull print reflects a desire for the physical in a world of digital noise. The print feels like bone. It feels like stone. It lacks the polish of a computer screen. I feel that we are seeing a rejection of the clean look that dominated the last decade.

Margot Robbie continues to work with her production company LuckyChap. Her upcoming film A Big Bold Beautiful Journey is expected to reach theaters later this year. I noticed her wardrobe transitions from pink plastic to gothic silk. The shift is visible. It is loud. But the silence of the sheer fabric speaks more clearly than a press release. The film industry watches these changes. They see the skull as a signal for a new era of storytelling. I guess the era of the doll is over. The era of the shadow has begun.

Upcoming Industry Timeline

March 2, 2026: Paris Fashion Week begins. Expect heavy references to the McQueen archives. I think the runway will feature more sheer layers.May 4, 2026: The Met Gala. The theme often dictates the summer retail cycle.Late 2026: Release of A Big Bold Beautiful Journey. The press tour will likely continue this exploration of archive fashion.

Bonus Timeline Content

Today is February 26, 2026. Nine days ago, the skull print returned to the public eye. In forty-eight hours, stylists will begin their final fittings for the shows in France. I noticed that the resale value of vintage McQueen scarves has increased by forty percent since last Tuesday. The market reacts to the image. People want the silk. They want the ghost of 2004 in their mailbox.

W Magazine Fashion News
Alexander McQueen Official Archive
Vogue Runway Coverage

Fashion Heritage Quiz

1. Which designer originally popularized the skull print in the early 2000s?

2. What is the name of the current Creative Director at Alexander McQueen as of 2026?

3. What specific film is Margot Robbie starring in later in 2026?

4. On what date does the upcoming Paris Fashion Week begin?

Quiz Answers and Additional Reading

1. Alexander McQueen. Read more about his early 2000s collections in Savage Beauty exhibition catalogs.

2. Seán McGirr. Look for reviews of his debut 2024 collection in fashion trade journals.

3. A Big Bold Beautiful Journey. Follow trade publications like Variety for production updates.

4. March 2, 2026. Check the Fédération de la Haute Couture et de la Mode website for the full schedule.

See alternative viewpoints and findings at wmagazine.com

Margot Robbie Reclaims Alexander McQueen's Iconic Skull Print

Published February 26, 2026 on Kiitn

This article reflects the personal, first-hand experiences of a fan. It is not an official review by Kiitn. Please review the reference links provided in the article credits for additional details.