A cold wave of synthesis. The shift from sound architecture to cinematic frame. This is the latest transmutation from Boy Harsher. The electronic duo, Jae Matthews and Augustus Muller, known for their precise, brooding darkwave soundscapes, are stepping firmly into feature film direction, an endeavor demanding a wholly different kind of rhythm.
Their upcoming project, *The Lonely Woman*, is an experiment in casting juxtaposition, a rare convergence of authentic American grit and avant-garde performance art.
*The Lonely Woman* is anchored by Chloë Sevigny, an actress whose very presence suggests a certain cinematic weight—a testament to indie film history.But the true intrigue lies in the supporting players drawn from the music world. Sturgill Simpson, the boundary-defying country musician whose artistic pivots are as sharp as his lyrics, joins the ensemble. His involvement implies a commitment to roles that defy expectation, far from the Nashville soundstages, deep in the territory of narrative authenticity.
He shares the screen with FKA twigs, an artist whose work perpetually challenges genre boundaries, translating visceral emotion into performance. A truly UNPREDICTABLE trio forming.
The Directorial Transition
Matthews and Muller are not strangers to the moving image, having meticulously crafted sonic identities for other directors.
They previously penned scores for films including *Machine Learning Experiments*, *My Animal*, and the unnerving intensity of *Cellulosed Bodies*. Their directorial initiation came with the 2022 short *The Runner*, a project for which they also designed the score, ensuring total artistic control over the visual and auditory experience.
That short served as a definitive declaration of their cinematic intent. Now, the leap to a full feature, a complex structure requiring sustained directorial endurance.
The Ultimate Character Actor Paradox
Perhaps the most compelling component of this unique cast is the presence of Will Oldham. Known primarily for his essential, often somber, folk output under the moniker Bonnie "Prince" Billy, Oldham’s acting career is deceptively vast.
He possesses a history that few contemporaries can claim, stretching back to 1987 when he debuted as a teenager in John Sayles’ essential labor drama, *Matewan*. Decades of subsequent, calculated appearances followed. The raw, challenging energy of Harmony Korine’s *Julien Donkey-Boy*. The quiet desperation of *Old Joy*. The acclaimed melancholy of *Junebug*. Yet, in an astonishing career counterpoint, Oldham also brought his distinct, intense gaze to the surreal satire of *Wonder Showzen* AND the high-octane physical comedy of *Jackass 3D*. That single credit, sandwiched between critical indie darlings and documentaries, showcases an empathetic willingness to participate in wildly divergent storytelling.
A commitment to the craft, regardless of the chaotic stage.
This specific assembly of talent—the electronic auteurs, the established indie star, the genre-bending musicians, and the veteran actor who balances quiet drama with unexpected slapstick—promises a film less about convention, and more about DISCOVERY.
FKA twigs, Sturgill Simpson and Will Oldham are acting in the upcoming film The Lonely Woman , which stars Chloë Sevigny and will serve as the first...Here's one of the sources related to this article: Visit website
