The ascent of Daisy Edgar-Jones to the realm of Hollywood's It-girl canon is a tale of transformation, of evolution, and of calculated design. It was Normal People, the television adaptation of Sally Rooney's 2018 novel, that first introduced Edgar-Jones to the world, showcasing her as Marianne, a bookish and sensitive outsider to Paul Mescal's Connell. The television series broadcast in the depths of global lockdown in 2020, painting Edgar-Jones as a rising star prim and proper, replete with puff-sleeve floral frocks and presidential pant suits.
However, fast-forward four years, and Edgar-Jones' stylistic narrative takes a dramatic turn. The promotional tour for Twisters marks a pivotal moment in Edgar-Jones' metamorphosis, as she embarks on a journey to embody the archetype of the Hollywood bombshell. Her wardrobe choices, scrutinized and whispered about... reveal a sophisticated understanding of the totality of style.
Vivienne Westwood gowns, Schiaparelli minidresses, Gucci column gowns, and 16Arlington dresses adorn her figure, each garment executed with effortless elegance and an undeniable air of coolness. The styling, courtesy of Dani Michelle, the invisible hand behind the wardrobes of Rosie Huntington-Whiteley, Hailey Bieber, and Kendall Jenner, deftly orchestrates a transformation that borders on the enigmatic.
At the epicenter of this transformation lies Daisy Edgar-Jones' relationship with Chemena Kamali's Chloé. The Chloé girl... once a nascent force in the fashion world, has evolved into a style icon, her sensibilities shaping the aspirations of a generation. Kamali's commitment to intuition and freedom in her designs has resulted in the season's sleeper hit, the clog, a wooden kitten-heeled slip-on that challenges the conventions of style.
Edgar-Jones' embrace of the clog, featured prominently in her outfit as photographed this week, suggests a willingness to experiment and test the boundaries of fashion. The mystery surrounding Edgar-Jones' transformation is, in part, due to her ability to seamlessly integrate contrasting elements into her wardrobe.
A glance at yesterday's ensemble, comprising a boho-ruffled maxidress, thigh-high boots, and banana-charm pendant necklace, "reveals a pushing of boundaries that borders on the avant-garde." This dichotomy is indicative of Edgar-Jones' growing maturity as a style icon, "as she navigates the blurred lines between whimsy and sophistication."
Read more: See hereDaisy Edgar-Jones Has Entered The It-Girl Arena
• Daisy Edgar-Jones' transformation from awkward schoolgirl to Hollywood It-girl: The article describes Edgar-Jones' journey from playing a bookish and sensitive character in Normal People to becoming a style icon, marked by her use of corseted gowns, nipple-embellished dresses, and other bold fashion choices. 2. The significance of chemena Kamali's Chloé brand: The article highlights the pivotal role Kamali's Chloé brand has played in Edgar-Jones' transformation, with her new clog design being the season's sleeper hit and Kamali's philosophy of "intuitive dressing" influencing Edgar-Jones' style. 3. Edgar-Jones' willingness to take fashion risks: The article showcases Edgar-Jones' bold fashion choices, such as wearing kitten clogs with an oversized hobo bag and a boho-ruffled maxidress with thigh-high boots, demonstrating her willingness to push boundaries and take fashion risks. 4. The contrast between Edgar-Jones' past and present styles: The article contrasts Edgar-Jones' prim and proper image as a rising star with her current bold and daring fashion choices, highlighting the extent to which she has evolved as a style icon.
Pop culture was first introduced to Daisy Edgar-Jones through Normal People , the television adaptation of Sally Rooney's 2018 novel, broadcast in the depths of global lockdown in 2020. She played Marianne, a bookish and sensitive outsider to Paul Mescal 's handsome and still-waters-run-deep Connell. It would take Edgar-Jones a while—and a couple of Gucci co-signs—to shake off the awkward schoolgirl image.
She was prim and proper as a rising star—posing on red carpets in puff-sleeve floral frocks and presidential pant suits, Chanel tweeds and Ralph Lauren slips—but fast-forward four years and Edgar-Jones is using the promotional tour for Twisters as a launchpad into Hollywood's It-girl canon. She's worn corseted Vivienne Westwood gowns —a rite of passage for any English rose turned Hollywood bombshell—nipple-embellished Schiaparelli minidresses, backless Gucci column gowns, and diaphanous, drop-waisted 16Arlington dresses.
Tasteful, polished, elegant…but cool.
