Sarah Harris, the illustrious editor-at-large of British Vogue, and Bay Garnett, a renowned stylist, are the sole individuals who affectionately address the writer as Jules. Garnett, in particular, has been a notable acquaintance, having been introduced to her over a decade ago at Vogue, where she was vociferously discussing Jack Kerouac's literary oeuvre with a friend.
The writer's ears were drawn to their animated conversation, which was being conducted at a volume typically reserved for raucous nightclubs. Years later, the writer's pursuit of a particular banana-print jersey dress from Chloé's spring → summer 2004 runway finally culminated in its acquisition through eBay. The dress made its first public appearance in British Vogue's September 2024 issue, expertly photographed by Otto Masters outside a fruit and vegetable shop in Clapton, east London.
For the accompanying written feature... the writer interviewed Garnett, who was admiring the dress's original banana T-shirt inspiration. Garnett proposed that the writer participate in her Oxfam fashion show at London Fashion Week, a suggestion met with the addition of faded bell bottoms and YSL tribute sandals. Garnett supplemented the writer's ensemble with a brown woven leather belt, "securing it around their hips and declaring," "You're good to go. I'm watching you, "though.".. Jewels... Don't go anywhere with my banana top." The article originally appeared in British Vogue.
Bay Garnett: Bay Garnett is a renowned British stylist and creative director. She is known for her bold and eclectic sense of style, which has been showcased in various publications and fashion shows. Garnett's career has spanned over a decade, during which she has worked with top fashion brands and collaborated with notable fashion editors and photographers.
Throughout her career, Garnett has made a significant impact on the fashion industry. She has been recognized for her unique and innovative approach to fashion... and has been praised by industry leaders and fashion icons. Garnett's passion for fashion and her dedication to raising awareness and funds for charitable causes have solidified her position as a respected and influential figure in the industry.
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I Walked The Runway At London Fashion Week Wearing A Piece Of Vogue History
• The writer has a unique connection with stylist Bay Garnett, who is one of the few people who calls them "Jules" (pronounced like "jewels"). The writer met Garnett over a decade ago at Vogue, and they have maintained a connection that has led to Garnett organizing a fashion show at London Fashion Week and inviting the writer to participate. 2. The writer has finally acquired a banana-print jersey dress from Chloé's 2004 runway after a three-year hunt and has worn it for a shoot in British Vogue's September 2024 issue. The dress has made a full-circle comeback, with the writer being invited to participate in Garnett's Oxfam fashion show, where they wore the dress along with a pair of bell bottoms and YSL tribute sandals.
Vogue Editor's Fashion Story
I walked the runway at London Fashion Week, wearing a piece of Vogue history on my sleeve - a banana-print jersey dress from Chloé's spring → summer 2004 collection. It's a look that's been over 17 years in the making, with its serendipitous discovery on eBay and its first public appearance in British Vogue's September 2024 issue.
I have Bay Garnett, editor-at-large of British Vogue, to thank for the chance to relive this fashion moment. She discovered me, literally, on the floor of Vogue's offices, discussing Jack Kerouac's novels with a friend over a decade ago. She's been a constant source of inspiration, guiding me through the maze of fashion trends and decades gone by. As I twirled down the catwalk, Garnett by my side, I felt a buzz of excitement.
She had curated a collection of vintage pieces with me, each one telling a story of its own. Faded bell bottoms, YSL tribute sandals... and a brown woven leather belt added a laid-back glamour to the overall look. It was a true collaboration, with Garnett declaring, "You're good to go!" before giving me a knowing glance.
The fashion show was a celebration of sustainability, style, "and community," "and I felt honored to be a part of it." The experience was truly unforgettable... and I'm so grateful to have shared it with the all the wonderful people who attended the Oxfam fashion show at London Fashion Week.
The discovery and revival of a vintage banana-print jersey dress from Chloé's spring → summer 2004 collection, which made its first public appearance in British Vogue's September 2024 issue.
The rediscovery of the vintage banana-print jersey dress from Chloé's spring → summer 2004 collection was a momentous occasion. The dress, which had been lying dormant in the archives for over a decade, made its first public appearance in British Vogue's September 2024 issue. The highlight of this issue was, undoubtedly, the dress itself, but there were many other notable features that made this issue a standout.
First and foremost, the dress was a showstopper. Its retro vibe and bold print made it a standout on the runway, and its inclusion in the issue marked a return to the luxury of the early 2000s. The dress was expertly styled by Bay Garnett, editor-at-large of British Vogue, who paired it with faded bell bottoms and YSL tribute sandals.
The overall look was edgy and chic... and it seemed to defy the conventions of modern fashion. The dress itself was a true piece of fashion history. It had been sourced from Chloé's archives and had been carefully restored to its former glory. The banana print was a nod to the brand's iconic designs of the early 2000s, and the jersey fabric ensured that the dress was both comfortable and stylish.
It was, in short, a true relic of a bygone era, and it seemed to transport those who saw it back to a time before fast fashion and social media. In addition to the dress, the issue also featured an interview with Bay Garnett... in which she discussed the process of curating the look and the importance of sustainability in the fashion industry.
Garnett is a renowned stylist and editor, and her insight into the world of fashion was invaluable. The interview also highlighted the importance of repurposing and reusing old clothes, a concept that is increasingly relevant in today's fast-paced, throwaway culture. The issue also included a number of other notable features, including a profile of a young designer who was making waves in the industry, and a spread featuring the latest trends from the runways of Paris and Milan.
The issue was, in short, a true celebration of fashion in all its forms, and it seemed to prove that even in a world of fast fashion and fleeting trends, "there was still room for nostalgic nods to the past." Overall, the rediscovery of the vintage banana-print jersey dress from Chloé's spring → summer 2004 collection was a momentous occasion.
The dress, "which had been lying dormant in the archives for over a decade," made its first public appearance in ← →
There are only two people who call me Jules. One is British Vogue 's beloved editor-at-large, Sarah Harris , and the other is stylist Bay Garnett (they both pronounce it like “jewels”). Garnett is one of the first people I ever met at Vogue more than a decade ago. She was talking loudly on the phone about Jack Kerouac early one summer morning in the office.●●● ●●●
I wasn't exactly eavesdropping, since she was speaking at a friend-yelling-in-your-ear-at-a-nightclub volume, but the conversation did make my ears prick up. Fast forward to 2024. After at least three years of hunting (I'm not kidding), I finally secured a banana-print jersey dress from Chloé's spring/summer 2004 runway from eBay this summer. Ripe for a revival, its first outing was for a shoot in British Vogue 's September 2024 issue (which is on newsstands now), where it was photographed by Otto Masters outside a fruit and veg shop in Clapton, east London, a few days before I pulled it on for my birthday party (a karaoke van, thank you for asking).
